![]() ![]() Thank you for your loyalty and understanding as we continue to navigate through these extraordinary times. rising stars have included the Metropolitan Opera Young Artist Development Program as. We also continue to ask that if you are suffering from cold-like symptoms, you please stay home. Forget Carnegie Hallhow do you get to the Metropolitan Opera. Audiences who wish to continue to wear masks are, of course, welcome to do so. As of October 24, 2022, in conjunction with the New York Philharmonic, New York City Ballet, Carnegie Hall, and many other venues throughout the city, masking will be optional for all Met audience members. With the recent changes in CDC guidelines and the availability of vaccines and boosters, we have now been advised that it is no longer necessary for us to mandate audiences to wear masks during performances. We have worked with leading medical advisors and public health experts to ensure that we had the appropriate safety measures in place to deal with the many health challenges presented by Covid-19. Our goal is to be a diverse workforce that is representative, at all job levels, of the communities we serve. San Miguel MetOpera Trust and the development staff of the Metropolitan Opera toward. This year's participants starting the program include Kidon Choi, baritone, (Seoul, South Korea) Emily D'Angelo, mezzo-soprano, (Ajax, Canada) Gabriella Reyes de Ramrez, soprano, (Meriden, CT). The Metropolitan Opera believes that diversity is critical to our success and growth as a leading performing arts institution and we seek to recruit, develop and retain the most talented people from a diverse candidate pool. Matheson holds degrees from the University of Prince Edward Island (B.Mus.Ed), the Cleveland Institute of Music (M.Mus in Collaborative Piano), the Manhattan School of Music (Professional Studies Diploma in Vocal Accompanying) and is a graduate of the Metropolitan Opera’s Lindemann Young Artist Development Program.Throughout the pandemic, the Met’s top priority has been the safety of our audiences, artists, orchestra, chorus, and staff. Legacy Giving A gift today for the mexican opera stars ot tomorrow. Matheson has worked with the world’s leading young artist programs, including the International Opera Studio (Opernhaus Zürich), Atkins Young Artist Program (The Mariinsky Theatre), Lindemann Young Artist Development Program (The Metropolitan Opera), Ryan Opera Center (Lyric Opera of Chicago), Music Academy of the West, Aspen Music Festival and the International Vocal Arts Institute. The program has trained a new generation of celebrated American and international opera singers, as well as coaches and pianists, who perform at the highest standards in. Director of Patron and Individual Giving at the Metropolitan Opera. Passionate about nurturing the next generation of opera singers and pianists, Ms. The Lindemann Young Artist Development Program was created in 1980 by Maestro Levine to identify and develop extraordinarily talented young artists in the realm of opera. Prior to joining Arizona Opera, Ashley was the Director of Development at North. As assistant conductor, she has worked with luminaries including James Levine, Fabio Luisi, Yannick Nezet-Seguin, and Gianandrea Noseda, and has been engaged in that capacity by such renowned festivals as the Salzburger Festspiele and the Seiji Ozawa Matsumoto Festival. Matheson made her conducting debut at Opernhaus Zürich, where she has since conducted works such as L a Finta Giardiniera, Don Pasquale and Iphigénie en Tauride. Especially in demand as a recital pianist, she has performed with many of the world’s most celebrated opera singers, including Rolando Villazón, Benjamin Bernheim, Jonas Kaufmann, Piotr Beczała, Diana Damrau, Thomas Hampson and Joyce DiDonato. ![]()
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